- Address: Concertgebouwplein 10, 1071 LN Amsterdam. (van Baerle-straat (street), Museum-plein (square)).
- Amsterdam Royal Concertgebouw Forerunners.
- Home of the Amsterdam Royal Concertgebouw Orchestra (RCO/KCO).
- Gustav Mahler himself in the Netherlands (1903, 1904, 1906, 1909 and 1910)
The Royal Concertgebouw (in Dutch: Koninklijk Concertgebouw), is a concert hall in Amsterdam, the Netherlands. The Dutch term "concertgebouw" literally translates into English as "concert building".
The architect of the building was Adolf Leonard van Gendt, who was inspired by the Gewandhaus in Leipzig, built two years earlier (and destroyed in 1943). Construction began in 1883 in a pasture that was then outside the city, in Nieuwer-Amstel, a municipality that in 1964 became Amstelveen. A total of 2,186 piles of length twelve to thirteen metres (40 to 43 ft) were sunk into the soil.
The hall opened on 11-04-1888 with an inaugural concert, in which an orchestra of 120 musicians and a chorus of 500 singers participated, performing works of Wagner, Handel, Bach, and Beethoven. The resident orchestra of the Concertgebouw is the Royal Concertgebouw Orchestra (Koninklijk Concertgebouworkest), which gave its first concert in the hall on 3 November 1888, as the Concertgebouw Orchestra (Concertgebouworkest). For many decades the Netherlands Philharmonic Orchestra and the Radio Filharmonisch Orkest have also been regular performers in the Concertgebouw.
The Main Hall (Grote Zaal) seats 1,974 and is 44 metres (144 ft) long, 28 metres (92 ft) wide, and 17 metres (56 ft) high. Its reverberation time is 2.8 seconds without audience, 2.2 seconds with, making it ideal for the late Romantic repertoire such as Mahler. A smaller, oval-shaped venue, the Recital Hall (Kleine Zaal), is located behind the Main Hall. The Recital Hall is 20 metres (66 ft) long and 15 metres (50 ft) wide. Its more intimate space is well-suited for chamber music and Lieder. The Recital Hall has 437 seats.
The acoustics of the hall were not ideal at first. In the summer of 1899 the stage was drastically reduced and made flatter to improve the sound relationship between strings and brass players. Willem Mengelberg (1871-1951) was closely involved in this radical renovation and flawlessly sensed what was needed.
A similar ambition to get the most out of his orchestra is evident from the new double basses that were purchased a year later (1900), partly funded by private individuals. This form of support is still up-to-date under the auspices of the "Stichting Donateurs Koninklijk Concertgebouworkest".
A different aspect that made the Amsterdam Royal Concertgebouw Orchestra (RCO) is the contact that was made in 1903 with Gustav Mahler (1860-1911). It not only formed the basis for the Mahler tradition, but would also prove to be typical of Amsterdam's engagement with contemporary music.
The Concertgebouw is one of the most fundamental causes of the high flight that the Amsterdam Royal Concertgebouw Orchestra (RCO) took quickly. 'A good audience makes a good orchestra' says conductor Mariss Jansons (1943),'as a good instrument improves your playing'.
The paradox is that the hall is extremely difficult for the performers to play in. Nobody knows better than Bernard Haitink (1929), who attended the concerts by Willem Mengelberg (1871-1951) at the end of the thirties (1938): 'The musicians hear their colleagues badly and have to listen to them on stage. This disadvantage seems to have benefited the orchestra: Every rehearsal, the listeners are put to the test again'.
'It is admirable how the orchestra succeeds in combating this incessant problem', says conductor Iván Fischer. 'In one way or another, as an agile cat, they always end up on their feet. The result is the beautiful, uniquely fused sound that is unparalleled for the late-romantic repertoire'.
The orchestra could rehearse daily in the hall right from the start. Few top orchestras have such an uninterrupted history with their home base.
In Germany many halls were destroyed during the Second World War. Such as the Berlin Philharmonic and the Gewandhaus in Leipzig, which served Amsterdam as an example. The Concertgebouw on November 26, 1944, narrowly escaped a bombing. Large European cities such as London, Paris, Madrid and Rome have several venues, but none of the quality of the Concertgebouw.
The organ was built in 1890 by the organ builder Michael Maarschalkerweerd from Utrecht, and was renovated in the years 1990-1993 by the organ builder Flentrop. It has 60 registers on three divisions and pedal.
On 11-04-2013, on occasion of the building's 125th anniversary, Queen Beatrix bestowed the Royal Title "Koninklijk" upon the building, as she did previously on to the Royal Concertgebouw Orchestra. Because of its highly regarded acoustics, the Concertgebouw is considered one of the finest concert halls in the world, along with places such as Boston's Symphony Hall and the Musikverein in Vienna.
Amsterdam Royal Concertgebouw. Map. From left to right: 1. Amsterdam Royal Concertgebouw, 2. Stedelijk Museum, 3. Van Gogh Museum, 4. Rijksmuseum, 5. Leidseplein (off the map). The (grass) square in front of the Amsterdam Royal Concertgebouw is called "Museum plein (Museum square)".
Administrators of the Amsterdam Royal Concertgebouw:
- 1887-1900: Willem Stumpff
- 1900-1903: Willem Hutschenruyter
- 1904-1905: Hendrik (Han Henri) de Booy (1867-1964) 1904-1905
- 1905-1922: Hendrik Freijer
- 1922-1925: Paul Cronheim
- 1928-1936: Baron van Harinxma thoe Slooten
- 1936-1943: Rudolf Mengelberg (1892-1959)
- 1943-1969: A. Verbruggen
From left to right:
- Cornelis Dopper (1870-1939) (Second conductor of the Amsterdam Royal Concertgebouw Orchestra (RCO/KCO)),
- Gustav Mahler (1860-1911),
- Hendrik Freijer (1876-1955) (Administrator of the Amsterdam Royal Concertgebouw Orchestra (RCO/KCO)),
- Willem Mengelberg (1871-1951) (Principal conductor of the Amsterdam Royal Concertgebouw Orchestra (RCO/KCO)),
- Alphons Diepenbrock (1862-1921) (Composer).
From left to right:
- J. Dudok van Heel.
- Mr. H.J. van Ogtrop.
- Mr. R. van Rees.
- G.H. de Marez Oijens (father of Hendrik Jan de Marez Oyens (1843-1911)).
- Hendrik (Han Henri) de Booy (1867-1964).
- Hendrik Freijer (1876-1955).
1913. 24-04-1913. Amsterdam Royal Concertgebouw. Memorial plaque 25th anniversary, 24-04-1913, 26-04-1913 and 27-04-1913.
- PA. L. van Ogtrop,
- W. Cnoop Koopmans,
- Hendrik Jan de Marez Oyens (1843-1911),
- D.H. Joosten,
- Mr. J.A. Sillem,
- Mr. R. van Rees,
- Charles Ernest Henri Boissevain (1868-1940),
- Mr. H.J. van Ogtrop,
- Hendrik (Han Henri) de Booy (1867-1964),
- G.H. de Marez Oijens (father of Hendrik Jan de Marez Oyens (1843-1911)),
- J. Dudok van Heel,
- Willem Kes (1856-1934),
- Willem Mengelberg (1871-1951).
1914. 04-05-1914. Amsterdam Royal Concertgebouw. Soloists and Members of the board. Photo taken after a performance of the Matthäus Passion:
From left to right, sitting:
- Thom. Denijs (bass).
- Pauline de Haan-Manifarges (alto).
- Johannes Messchaert (1857-1922) (bass).
- Aaltje Noordewier-Reddingius (1868-1949) (soprano).
- Gervase Elwes (tenor).
From left to right, standing:
- Evert Cornelis.
- J. Dudok van Heel.
- Jo Beukers-van Ogtrop (1865-1948).
- Charles Ernest Henri Boissevain (1868-1940).
- Willem Mengelberg (1871-1951).
- G.H. de Marez Oyens (father of Hendrik Jan de Marez Oyens (1843-1911)).
- and others.
1950. Amsterdam Royal Concertgebouw. Buste of Gustav Mahler by his daughter Maria Anna Mahler (Putzi) (1902-1907). Gift from Mahlers granddaughter Marina Fistoulari Mahler (1943) to the Royal Concertgebouw on the occasion of the Gustav Mahler Festival Amsterdam 1995. Mahlers daughter Anna Justine Mahler (Gucki) (1904-1988) was inspired by the image she had as a child from her father. This is the only bronze cast of this Mahler bust. Location: 2nd floor, in the corridor around the main hall, near Podium (stage) Noord (north).
2017. Amsterdam Royal Concertgebouw. Hall, seen from center front balcony.
2018. Amsterdam Royal Concertgebouw. Hall left.
2018. Amsterdam Royal Concertgebouw. Front balcony, Mahler tribute.
2018. Amsterdam Royal Concertgebouw. Center front balcony, Mahler tribute.
2018. Amsterdam Royal Concertgebouw. Plan.
Composers in the Amsterdam Royal Concertgebouw:
- 1888: Bernard Zweers (1854-1924)
- 1894: Siegfried Wagner (1869-1930)
- 1897: Richard Strauss (1864-1949) (13 times in Amsterdam)
- 1897: Edvard Grieg (1843-1907)
- 1900: Alphons Diepenbrock (1862-1921)
- 1903: Gustav Mahler (1860-1911). Gustav Mahler himself in the Netherlands (1903, 1904, 1906, 1909 and 1910).
- 1905: Gabriel Pierne (1863-1937)
- 1905: Ferruccio Busoni (1866-1924)
- 1907: Hans Pfitzner (1869-1949)
- 1908: Cornelis Dopper (1870-1939)
- 1912: Carl Nielsen (1865-1931)
- 1912: Arnold Schoenberg (1874-1951) (5 times in Amsterdam)
- 1914: Claude Debussy (1862-1918)
- 1916: Max Reger (1873-1916)
- 1919: Edward Elgar (1857-1934)
- 1922: Joseph Maurice Ravel (1875-1937)
- 1922: Darius Milhaud (1892-1974)
- 1923: Joseph Maurice Ravel (1875-1937)
- 1924: Igor Stravinsky (1882-1971)
- 1925: Erich Wolfgang Korngold (1897-1957)
- 1925: Sergej Prokofiev (1891-1953)
- 1927: Zoltan Kodaly (1882-1867)
- 1928: Darius Milaud (1892-1974)
- 1932: Bela Bartok (1881-1945)
- 1932: Sergei Rachmaninoff (1873-1943)
- 1932: Cornelis Dopper (1870-1939)
- 1935: Paul Hindemith (1895-1963)
- 1942: Arthur Honegger (1892-1955)
- 1949: Benjamin Britten (1913-1976)
- 1950: Leonard Bernstein (1918-1990)
- 1960: Bruno Walter (1876-1962)
- 1965: Bruno Maderna (1920-1973)
- 1969: Witold Lutoslawski (1913-1994)
- Many more ...